Maybe things are different in your neck of the woods though

I have nothing against you running an old car. Good luck to you.Mrotwoman wrote:Oh Mr Morrisand944S2man,I doth apologise for I have seen the error of my ways and am sending my lowly,humble,unworthy and horribly beige Maestro to the crusher.
For it matters not that it hath survived 27 years in as new condition,manages to obtain 50+ mpg on a recent economy run,can happily be pressed into service as a daily hack for my other half when the daily driver is broken,brings back many a memory for folk at shows etc etc ,it is dull and unremarkable and therefore must die.
I shall replace it with a front-engined Porker and together we can live in our compound and preach to the great unwashed,and bask in the praise of Allah! the almighty one.
Death to all infidels who dare drive Allegros!
No, the MGB was clearly a classic as it was a great car in it's day- and being a performance car was not mundane. So, the MGB being good in it's day and now old definitely makes it a classic.Seth wrote:Mrotwoman wrote:I've got that,but I prefer the dubstep mix.![]()
I'm still trying to work out if thousands of MGB owners are barking up the wrong tree.Morrisand944S2man wrote:Old does not = classic. Old + Great does = classic.
A classic car has also to be a great car in it's time to be a great car when it is old.
Cars are only old and rattly because they need some work. I've been in rattle and draught free Minors!mr rusty wrote:Classic-ness is most definately in the eye of the beholder- show a Minor to the average Focus driver or Mrs Rusty who has no interest at all in old draughty and rattly cars and they would say yes that's a classic car, no argument, show them a 944 and I suspect they would say that's most definately not a classic car, irrespective of wether or not it's in Michael Bowler's book.
Average Joe in the street probably doesn't see minis as classics either, simply because they were around for so long and to the uninterested an early one doesn't look that different to a late one. Show them some huge behometh of a chrome laden yank tank howver and that would meet the public classic test.
My Vitesse for instance, definately a classic car but at the same time it was an outmoded and backward piece of engineering even when new and not particularly good road manners to boot! Still a classic car in the public eye though. I saw an SD1 today, now to my mind that's a classic, but I can remember when you couldn't give one away, and it wasn't that long ago- I don't think the man on the Clapham omnibus would consider it a classic either.
We could argue for all eternity on this issue and never come up with an answer, but the folks who wander into an old car show for something to do on a bank holiday know exactly what a classic car is!
If a Minor feels "awful" to drive something must have gone wrong in the restoration. Sadly, Minors being at the cheaper end of the classic car spectrum are sometimes not done very well. Perhaps the car simply needed new suspension bushes, the rear dampers were worn, or the spring hangers were not replaced correctly- leaving the suspension out of alignment. Or, many people make the mistake of fitting too wide tyres to the Minor- which was designed to use narrower tyres. Sadly, also I know of three "well respected specialists" who carry out shoddy work , and this can spoil the feel of a car.Rhythm Thief wrote:Morrisman, I think you're right that "old" does not automatically equal "classic", but your definition of greatness is, as far as I can tell, limited. From your comments elsewhere I gather you're not a fan of Eastern European stuff - which is fair enough - and I appreciate that in purely mechanical terms, they'll never be great cars in the same way an Aston Martin or a Citroen DS are. Yet Trabants (say) deserve some credit in the greatness box for being a genuine attempt to provide cheap motoring to millions of people for whom it had previously been out of reach. In this sense they're a part of history and worthy of preservation because of it.
As well as this, greatness is subjective. As I said somewhere earlier, my ex had a Minor for a while - a 1966 four door - and I thought it was awful. It'd been restored by a reputable specialist and came with a pretty hefty price tag, but it didn't feel like a great car to me. I'd never argue that it wasn't a "classic" because I don't think it's a great car though: I recognise that Moggies are just not my thing and leave other folk to enjoy theirs. Personally, I'd sooner go to a show with a load of Trabants dropping oil and cardboard body panels all obver the grass than see a whole field full of shiny Minors, but there we go. Who's to say whether it's you or me that's right?
Sorry, Luxo, but you don't know what you are talking about as regards the Porsche 944!Luxobarge wrote:No, that was the 928.Aar0sc wrote:Wasn't the 944 the one that tried to replace the 911 and failed anyway?
Never seen anything particularly special about the 944 myself, but that's just
an opinion!!!
As is everything else on this thread.
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can we leave personal comments out of the discussion please?Amy wrote: Oh FFS. Please extract your head out of your own exhaust pipe.
Are you blind?Morrisand944S2man wrote:Sorry, Luxo, but you don't know what you are talking about as regards the Porsche 944!
Again, just because you don't like the very valid points I'm making don't dismiss it as delusion. Unless you meant the Allegro or Sierra owner who thinks their car is a Classic is under a delusion, which would be correct. I've owned examples of both those cars.richardthestag wrote:I agree re the boredom, zzzzzz’s and general despair at this thread but couldn’t resist taking the bait on this spectacular pile of delusion. But not having the time or patience to trawl through every point I would like to pick up on a couple of the points....Who made you milk monitor?Morrisand944S2man wrote:I would like to re-state the simple formula for determining what is and is not a classic.
-snip-
Very valid in your opinion, not in ours eh?Morrisand944S2man wrote:the very valid points I'm making